#Mastin labs fuji vs kodak pro
#Mastin labs fuji vs kodak software
#Mastin labs fuji vs kodak professional

Even at it's most over exposed, Tx always had a fairly flat 'crushed black' vibe. Tri-X never looked like that, its far too contrasty and rich. Because while neither look like real film, at least VSCO looks the same from camera to camera. But on my a7rii they just look cartoonishly orange and sickly green and the contrast is way too high. Ultimately, there is no one solution for everything. Overall they are a bit more powerful due to the extensive tweak options. Mastin imo are the closest, most natural one click presets but they only seem to work in good light and are best on sunny days which is probably how they were designed. Bit late to this thread but here are my findings: I use both companies offerings but not the everyday pack yet. To find more examples and to purchase the 'Kodak Everyday' preset pack, head on over to Mastin Labs' product page. The Kodak Everyday pack requires Adobe Lightroom 7. If you're using another brand camera, Mastin Labs suggests using the Canon preset, which will give you similar results with only a 'slight reduction in accuracy. In addition to the base presets that come in the pack, Mastin Labs also includes toning profiles, custom white balance settings, and grain settings that replicate 35mm and medium format film grain structure. In Mastin Labs' words, this 'pack has three distinct looks: bright and vivid, gold and lush, or rich black and white tones. Purchased these presets today after learning about them in the article.Mastin Labs has released a new collection of presets for Adobe Lightroom and Photoshop that aim to emulate the look of three iconic Kodak film stocks. In the end, it saves you time on post-processing, and if you need obscene resolutions shoot medium or large-format and have it drum scanned.

#Mastin labs fuji vs kodak professional

The number of labs offering professional grade service from start to finish is growing again, too and photographing on film teaches you to rely upon your own skills again and not on the ever-increasing Ai based features modern cameras offer. Thanks for the recommendation! If you want it to look like film, just shoot film.

#Mastin labs fuji vs kodak software

I purchased the C1 styles when I licensed the software and am not blown away. Cheaper, better integrated than others, overall just good.

#Mastin labs fuji vs kodak pro

As an owner of the majority of the C1 Pro Styles bought a package when they were deep discounted and not impressed. He learned a bit about the internet marketing instead With very limited success however and at a laughable price tag. I doubt Kirk Mastin spent any time learning about color theory. People would be much better off learning their tools and building their own style rather than pasting on presets. When it comes to just presets overall, I agree with you.

I think it's a niche use, but when you're doing a hybrid workflow that incorporates both digital and film and you want a consistent look, presets like this are invaluable because they'll do a lot better at emulating that look than you will by eye unless you're planning to spend hours of your time working it out.

The value in presets or styles like Mastin is in their accuracy of emulation.

Spend 30 mins learning about color theory, 30 mins learning about your raw editor, and you'll save hundreds. Check out the Fstoppers Store for in-depth tutorials from some of the best instructors in the business. He writes and photographs the monthly column, 'Foodographer. Fstoppers Writer Jordan Bush is a pro photographer focusing on commercial, editorial, and photojournalism work. Perhaps in the future, Mastin Labs will bring even deeper innovations to their offerings, such as the recently resurrected Kodak Ektachromeor perhaps the aptly missed Kodachrome. The Mastin Labs Kodak Everyday Pack invests significant intention in bringing realistic, accurate film emulsions to the digital world. Each of the three presets are flexible, allowing users to add shifts in white balance, tone, enabling lens correction, with 35 mm and medium format grain options. Check out the latest emulsion emulation after the jump.